With this view he struck off into a narrow street on the left, and soon entered a small alehouse, over the door of which hung the sign of the "Welsh Trumpeter. They agreed to lend her their hold-all and a large, formless bag which they called the communal trunk. She could visualize the picture she had presented, particularly the battered papier-mâché kitbag at her feet. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. It was still so dark, that nothing could be distinguished except the heavy masses of timber by which the premises were surrounded; but as they advanced, lights were visible in some of the windows. Her cheeks were the colour of chalk, her eyes were filled with terror. "A vow," she answered,—"a vow to my dead husband.
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