“I only use the weeniest little dab of rouge,” she declared, “and it is really necessary, because I want to get rid of the ‘pallor effect. Fresh flowers of loveliness have budded, expanded, died. A corner could hold the promise of a shelf of dainty crystals, volcanic ices of rainbow colors, or figurines of saints sculpted from horn and bone reenacting their martyrdoms on delicate miniature wooden stages.
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