At this moment, the bell began to toll in a peculiar manner, announcing the approach of the corpse. A hush descended across the audience as instruments tuned, creating small ladders of fifths that collapsed abruptly, snatches of solos that disappeared and reappeared like gags in a house of mirrors. The galleries adjoining it were crowded with spectators,—so was the roof of a large tavern, then the only house standing at the end of the Edgeware Road,—so were the trees,—the walls of Hyde Park,—a neighbouring barn, a shed,—in short, every available position. They ascended by a lift to one of the upper floors, passed through a long ward, and finally came to a bed in the extreme corner, round which a screen had been arranged. Too late she realised that Emile was not trying to escape.
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