“Julian! I was worried that. Where Saint Giles' church stands, once a lazar-house stood; And, chain'd to its gates, was a vessel of wood; A broad-bottom'd bowl, from which all the fine fellows, Who pass'd by that spot, on their way to the gallows, Might tipple strong beer, Their spirits to cheer, And drown in a sea of good liquor all fear! For nothing the transit to Tyburn beguiles So well as a draught from the Bowl of Saint Giles! II. “Certainly her voice is far more musical. She flew up the covered stairs and knocked upon his door. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “Yes. Perhaps her odd beauty—and that too was natural—stirred these thoughts into being.
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